Flats in Berlin

Are we really to believe that this seven-story apartment building is constructed of timber? There is no indication of it on the exterior; the rendered facade might very well be concealing reinforced-concrete walls. Timber construction was the express wish of the clients, a private initiative. But the architects felt that the wood did not necessarily have to be visible: Firstly, they had difficulty accepting a timber facade amidst solid-masonry apartment buildings dating back to the late nineteenth century, and secondly, from a fire-protection perspective, flame-retardant exterior surfaces would have obvious advantages. By taking a closer look, one will see that the rendered facade does in fact have a relationship to the structural system: Different textures in the rendering trace the timber frame and the infill.

Flats in Berlin
© Bernd Borchardt

A timber structure right in the middle of Prenzlauer Berg – on top of that, in the dense urban fabric – is in any event something out of the ordinary and not permissible by the building code at this height. With an elaborate fire-protection concept – followed by a lengthy negotiation phase – the architects were ultimately able to convince the authorities of the project’s practicability. The free-standing, unenclosed concrete stairway turned out to be a decided advantage, because it constitutes a readily accessible, smoke-free escape route (see p. 1304ff.But the decision to set the stairway apart from the apartment building had not originated as part of the fire-protection engineering, but was a major component of the design concept from the start, ensuring that the apartments receive daylight from three sides. In addition to its front facade and the courtyard facade, the building has a third facade. Separating the main structure from the stairway allowed more flexibility in the design of the floor plans: It was possible to eliminate interior load-bearing walls. Therefore, each of the clients could choose how to organize the floor plan – the only requisites were the two concrete shafts for installations. The overall circulation system incorporates variety, too: Some apartments are directly hooked up to the stairway via a short bridge, while others have a spacious threshold doing double-duty as a terrace.

Architecture
Kaden Klingbeil Architekten
Location
Esmarchstr. 3, 10407 Berlin (DE)

  • Paul Van Ostaijen Culture Campus in Leuven

    Lava architecten transformed an old mission building in Leuven into a place where circus arts, music, theatre, and dance coexist under one shared roof. Effective soundproofing is the precondition for the shared use of the facility.

  • The Lost Shtetl Museum in Lithuania

    The Jewish Museum in Šeduva commemorates the culture of Eastern European towns before World War II. With their building, Lahdelma & Mahlamäki Architects from Finland reimagine the small-scale structure of one such village. Its residents were murdered in 1941 by Nazis and their local collaborators.

  • Resembling a bridge, the scaly armour of the UCCA Clay Museum spans across the passageways to the neighbouring buildings. Where this structure touches the ground, Kengo Kuma & Associates arranged shallow water basins.

    Museum of Ceramic Art in Yixing

    The new UCCA Clay Museum advances the millennia-old tradition of artisanal ceramics the Chinese metropolis Yixing is renowned for. An armour of red clay tile encloses the exhibition spaces and the open timber roof constructions above them – an expressive space for the presentation of modern ceramic art.

  • The fly tower of the Glasshouse Theatre consists of textured prefabricated concrete elements, while the ­existing QPAC displays smooth in-situ concrete. The continuity of colouration, however, is clearly visible.

    Glasshouse Theatre in Brisbane

    The Glasshouse Theatre adds a fifth venue to the heritage-listed Queensland Performing Arts Centre. It can be flexibly used for concerts, operas, and dance and theatre performances. The glass facades of the deeply cantilevered foyer visualise the theatrical art of illusion on the exterior.

  • The monastery originally comprised four wings and a cloister. In the south, a squat church with a single nave connects to the complex. The head building with its three apses, a bell tower, and a transept were added in the 13th century.

    Monastery of Santa María of Sijena

    In their restoration of the Monastery of Santa María of Sijena, Pemán y Franco and Sebastián preserve traces of destruction, rebuilding, and decay spanning 800 years. Recently, they remodelled the east and north wings into an exhibition space for the convent’s valuable artworks.

  • The medical facility features a separate entrance in the east. A pergola made of prefabricated concrete elements welcomes the clients.

    Overnight Shelter and Medical Facility in Munich

    Housing for the homeless often consists of stacked contain ers. While the overnight shelter designed by Hild und K utilises prefabrication, thoughtful details adorn the robust building through which the Munich-based office conveys impres sions of warmth and home.