Ring of Remembrance – Memorial in ­Ablain Saint Nazaire

 - Claudia Fuchs

Some 10 km west of Lens on the hill of Notre Dame de Lorette next to the largest military cemetery in France stands an oval structure – the Ring of Remembrance to the hundreds of thousands of troops who were killed here in the First World War. In 1914–15, this elevated area of land on the Western Front was fiercely contested because of its strategic position. The new memorial by the Parisian architect Philippe Prost speaks a clear language without resorting to national or heroic gestures.

Ring of Remembrance – Memorial in ­Ablain Saint Nazaire
© Claudia Fuchs

As an international place of remembrance, it unites for the first time the names of all the soldiers who gave their lives here, whether friend or foe, in alphabetical order. The visually restrained oval form nestling in the landscape, yet partly cantilevered out over the slope, is 129 metres long and 75 metres wide. The dark, curved concrete enclosing wall at first conveys the impression of a hermetically closed form, a piece of abstract, sculpturally conceived landscape art. Via a trench cut in the ground, however, visitors have access to the interior – a broad grassed area that, at the opposite end, flows out beneath the enclos-ing structure, which cantilevers over the sloping topography at this point. A narrow peripheral path 328 metres long leads round the inside of the wall, from where views out to the surrounding landscape are afforded at only two points. The faceted inner surface of the wall, however, reveals itself as a shimmering band of 500 zigzagging panels in bronze-coloured stainless steel, on which are printed the names of nearly 580,000 solders of all nations who gave their lives here.

The complex load-bearing structure of the memorial is not visible. It consists of prefabricated wall elements, corbels, ground and roof slabs in ultra-high-strength fibre-reinforced concrete. The cantilevered section of the oval – a third of the whole – is a bridge-like structure with a maximum span of 56 metres. To ensure that the homogeneous appearance of the memorial is not impaired by ancillary beams, anchors and the like, prestressing steel was integrated at the top and bottom of 49 of the 122 concrete segments.

Architecture
Agence d'Architecture Philippe Prost
Location
Colline de Notre-Dame-de-Lorette, 62153 Ablain-Saint-Nazaire (FR)

  • Paul Van Ostaijen Culture Campus in Leuven

    Lava architecten transformed an old mission building in Leuven into a place where circus arts, music, theatre, and dance coexist under one shared roof. Effective soundproofing is the precondition for the shared use of the facility.

  • The Lost Shtetl Museum in Lithuania

    The Jewish Museum in Šeduva commemorates the culture of Eastern European towns before World War II. With their building, Lahdelma & Mahlamäki Architects from Finland reimagine the small-scale structure of one such village. Its residents were murdered in 1941 by Nazis and their local collaborators.

  • Resembling a bridge, the scaly armour of the UCCA Clay Museum spans across the passageways to the neighbouring buildings. Where this structure touches the ground, Kengo Kuma & Associates arranged shallow water basins.

    Museum of Ceramic Art in Yixing

    The new UCCA Clay Museum advances the millennia-old tradition of artisanal ceramics the Chinese metropolis Yixing is renowned for. An armour of red clay tile encloses the exhibition spaces and the open timber roof constructions above them – an expressive space for the presentation of modern ceramic art.

  • The fly tower of the Glasshouse Theatre consists of textured prefabricated concrete elements, while the ­existing QPAC displays smooth in-situ concrete. The continuity of colouration, however, is clearly visible.

    Glasshouse Theatre in Brisbane

    The Glasshouse Theatre adds a fifth venue to the heritage-listed Queensland Performing Arts Centre. It can be flexibly used for concerts, operas, and dance and theatre performances. The glass facades of the deeply cantilevered foyer visualise the theatrical art of illusion on the exterior.

  • The monastery originally comprised four wings and a cloister. In the south, a squat church with a single nave connects to the complex. The head building with its three apses, a bell tower, and a transept were added in the 13th century.

    Monastery of Santa María of Sijena

    In their restoration of the Monastery of Santa María of Sijena, Pemán y Franco and Sebastián preserve traces of destruction, rebuilding, and decay spanning 800 years. Recently, they remodelled the east and north wings into an exhibition space for the convent’s valuable artworks.

  • The medical facility features a separate entrance in the east. A pergola made of prefabricated concrete elements welcomes the clients.

    Overnight Shelter and Medical Facility in Munich

    Housing for the homeless often consists of stacked contain ers. While the overnight shelter designed by Hild und K utilises prefabrication, thoughtful details adorn the robust building through which the Munich-based office conveys impres sions of warmth and home.