Tetris for the View

 - Jakob Schoof

With the Metropolitan apartment building, Delugan Meissl set the final accent at Sonnwendviertel, a new quarter at Vienna's central station.

Tetris for the View
The Metropolitan has 370, mostly smaller rental units. This new building links the Sonnwendviertel quarter with the development at the south end of Vienna’s central station. © Christian Pichlkastner

Accommodating some 13,000 residents and providing 20,000 jobs, an educational campus, and Vienna's largest green space of the last four decades, the Sonnwendviertel quarter is one of the most important urban development projects in the Austrian capital since the turn of the millennium, and not just because of its convenient location. Construction is now largely complete. The Metropolitan, financed by a private investor and designed by Delugan Meissl and Architektur Consult, is the final structure, marking the entrance to the new neighbourhood. The 20-floor structure stands on a wedge-shaped site next to the tracks of Vienna's main train station. The opposite side to the southwest is bordered by one of the quarter's most important access roads.

In Delugan Meissl's earlier residential buildings, the balconies and windows often feature abstract, Tetris-like forms. They continue this principle at the Metropolitan. What appears at first glance to be a purely ornamental facade has a practical purpose. The apartments on the northeast side fan out with triangular bay windows and balconies to reduce exposure to the railroad tracks and draw in the southern sun. On the southwest side, horizontal balcony slabs and vertical side walls make the facade seem almost calligraphic. On this side, a small forecourt separates the Metropolitan from the neighbouring hotel. The building bends inward to accommodate the shape of the plot, which also makes it appear less massive when seen from the front.

The upper floors hold no fewer than 370 one- to four-room rental apartments ranging in size from 30 to 83 m². They are accessed from the middle of the building along two V-shaped main corridors. The smallest studios face north and are arranged in a ring around the service core. They have a pass-through bathroom, a narrow pass-through kitchen, and a compact bedroom and living/dining area. On the south side are somewhat larger and more conventionally cut two-room dwellings. Two commercial units occupy the ground floor. The Metropolitan also provides a variety of tenant facilities on the first three upper floors facing the railway, including a co-working space and fitness room with an outdoor area. The communal roof terrace offers expansive views across the heart of Vienna.

Architecture
Delugan Meissl Associated Architects, Architektur Consult
Location
Wien (AT)

  • Paul Van Ostaijen Culture Campus in Leuven

    Lava architecten transformed an old mission building in Leuven into a place where circus arts, music, theatre, and dance coexist under one shared roof. Effective soundproofing is the precondition for the shared use of the facility.

  • The Lost Shtetl Museum in Lithuania

    The Jewish Museum in Šeduva commemorates the culture of Eastern European towns before World War II. With their building, Lahdelma & Mahlamäki Architects from Finland reimagine the small-scale structure of one such village. Its residents were murdered in 1941 by Nazis and their local collaborators.

  • Resembling a bridge, the scaly armour of the UCCA Clay Museum spans across the passageways to the neighbouring buildings. Where this structure touches the ground, Kengo Kuma & Associates arranged shallow water basins.

    Museum of Ceramic Art in Yixing

    The new UCCA Clay Museum advances the millennia-old tradition of artisanal ceramics the Chinese metropolis Yixing is renowned for. An armour of red clay tile encloses the exhibition spaces and the open timber roof constructions above them – an expressive space for the presentation of modern ceramic art.

  • The fly tower of the Glasshouse Theatre consists of textured prefabricated concrete elements, while the ­existing QPAC displays smooth in-situ concrete. The continuity of colouration, however, is clearly visible.

    Glasshouse Theatre in Brisbane

    The Glasshouse Theatre adds a fifth venue to the heritage-listed Queensland Performing Arts Centre. It can be flexibly used for concerts, operas, and dance and theatre performances. The glass facades of the deeply cantilevered foyer visualise the theatrical art of illusion on the exterior.

  • The monastery originally comprised four wings and a cloister. In the south, a squat church with a single nave connects to the complex. The head building with its three apses, a bell tower, and a transept were added in the 13th century.

    Monastery of Santa María of Sijena

    In their restoration of the Monastery of Santa María of Sijena, Pemán y Franco and Sebastián preserve traces of destruction, rebuilding, and decay spanning 800 years. Recently, they remodelled the east and north wings into an exhibition space for the convent’s valuable artworks.

  • The medical facility features a separate entrance in the east. A pergola made of prefabricated concrete elements welcomes the clients.

    Overnight Shelter and Medical Facility in Munich

    Housing for the homeless often consists of stacked contain ers. While the overnight shelter designed by Hild und K utilises prefabrication, thoughtful details adorn the robust building through which the Munich-based office conveys impres sions of warmth and home.