A Boathouse for the Whole City

 - Pia Thedens

The new maritime centre in Esbjerg by Snøhetta and Werk Arkitekter has community at its heart. On the west coast of Denmark, the new maritime centre in Esbjerg stands between an industrial area and a bathing beach. What might initially seem like a giant boathouse can actually do much more. Not only does it provide a home for Esbjerg's watersport clubs, but its training rooms, workshop areas, and communal terraces give visitors insight into the city's wide range of watersport activities. People from across the city have the opportunity to discover the allure of maritime life here for themselves. The structure occupies the entire width of the quay, almost as if it would mediate between the water and the city. On first approach, the timber building makes a relatively closed impression. But its curves seem to guide visitors around the building, towards the harbour basin. It opens at both ends to the water at two wide staircases leading to the terrace on the upper level.

A Boathouse for the Whole City
The new maritime centre in Esbjerg by Snøhetta and Werk Arkitekter has community at its heart. © Wichmann+Bendtsen Photography

Heart of the boathouse

The terrace makes up for what the new building lacks in openness when viewed from the outside. Its inward-facing lounge area blocks outside noises and conveys a sense of community. The surrounding timber facade reinforces the feeling of being on the open deck of a boat. Only the two cut-outs in the facade around the stairs open the view to the sea. The centre's different uses are organized around the terrace - the heart of the building. Each watersport club has its own rooms here, right next to each other. And all club members have access to the common fitness area. Workshops are held in the seminar rooms, and even local schools are welcome to use the facilities.

A spiral staircase leads athletes from the terrace to the central hall on the ground floor, where there is plenty of room for preparing and repairing boats. Daylight enters the space through two round cut-outs in the ceiling. The visual connection they create between the floors strengthens the sense of social cohesion between the guests and the athletes. While the sailboats and motorboats are docked on the water in front of the building, smaller sports boats are stored on the ground floor. The hall opens to the south, where the boats can be launched from the jetty.

Inspired by nautical tradition

The rhythmic pine wood facade recalls the craftsmanship of wooden boat building. The inwardly curved structure is articulated by regularly spaced vertical wooden posts. Its monopitch roof creates interior spaces with sloping ceilings that open towards the centre of the building, emphasizing the communal terrace.

To withstand harsh weather conditions, behind the wooden facade the structure up to the first floor is made of concrete and was poured in one go. The upper floor sits atop this in a timber frame construction. In the event of a storm, the elevated terrace can be closed off from the harbour by protective doors at both stairway exits, providing shelter from wind and water.

Architecture
Snøhetta, Werk Arkitekter
Location
Esbjerg (DK)

  • Paul Van Ostaijen Culture Campus in Leuven

    Lava architecten transformed an old mission building in Leuven into a place where circus arts, music, theatre, and dance coexist under one shared roof. Effective soundproofing is the precondition for the shared use of the facility.

  • The Lost Shtetl Museum in Lithuania

    The Jewish Museum in Šeduva commemorates the culture of Eastern European towns before World War II. With their building, Lahdelma & Mahlamäki Architects from Finland reimagine the small-scale structure of one such village. Its residents were murdered in 1941 by Nazis and their local collaborators.

  • Resembling a bridge, the scaly armour of the UCCA Clay Museum spans across the passageways to the neighbouring buildings. Where this structure touches the ground, Kengo Kuma & Associates arranged shallow water basins.

    Museum of Ceramic Art in Yixing

    The new UCCA Clay Museum advances the millennia-old tradition of artisanal ceramics the Chinese metropolis Yixing is renowned for. An armour of red clay tile encloses the exhibition spaces and the open timber roof constructions above them – an expressive space for the presentation of modern ceramic art.

  • The fly tower of the Glasshouse Theatre consists of textured prefabricated concrete elements, while the ­existing QPAC displays smooth in-situ concrete. The continuity of colouration, however, is clearly visible.

    Glasshouse Theatre in Brisbane

    The Glasshouse Theatre adds a fifth venue to the heritage-listed Queensland Performing Arts Centre. It can be flexibly used for concerts, operas, and dance and theatre performances. The glass facades of the deeply cantilevered foyer visualise the theatrical art of illusion on the exterior.

  • The monastery originally comprised four wings and a cloister. In the south, a squat church with a single nave connects to the complex. The head building with its three apses, a bell tower, and a transept were added in the 13th century.

    Monastery of Santa María of Sijena

    In their restoration of the Monastery of Santa María of Sijena, Pemán y Franco and Sebastián preserve traces of destruction, rebuilding, and decay spanning 800 years. Recently, they remodelled the east and north wings into an exhibition space for the convent’s valuable artworks.

  • The medical facility features a separate entrance in the east. A pergola made of prefabricated concrete elements welcomes the clients.

    Overnight Shelter and Medical Facility in Munich

    Housing for the homeless often consists of stacked contain ers. While the overnight shelter designed by Hild und K utilises prefabrication, thoughtful details adorn the robust building through which the Munich-based office conveys impres sions of warmth and home.