Community Centre in London

 - Heide Wessely

Holborn House is named after the district of central London in which it stands. The neighbourhood community association, which has a more than 100-year history, previously occupied a dilapidated 1960s gymnasium. In order to expand it and transform it into a lively, pleasant place 6a architects replaced the single-storey entrance building with a two-storey lightweight glazed structure whose spaces allow for different uses. This entrance foyer is an office space, stage and auditorium, the openable glazing makes all these iterations possible.

Community Centre in London
The words printed between the mortar joints come from archives and recall people, places, or events that relate to the surroundings. © Johan Dehlin

The facade, which was created in collaboration with artist Caragh Thuring, has a high recognition value. The glass is ceramic-printed with a pattern of mortar joints, between which words from old archives and community input recall people, events, and places from the surrounding area. A narrow alley just 2.5 metres wide leads to the new community centre. Once a gloomy and neglected place, today lanterns illuminate the bright new stone pavement. At the start of the alley the inscription "Great Things Lie Ahead" - also the title of Caragh Thuring's artwork - indicates the special facility ahead. The project was a challenge in several respects: new rooms were to be added to the cramped existing building, as much light as possible was to be brought into the interior and, last but not least, all the building components had to fit through the narrow alley. On this account 6a architects used building components that were either small or could be dismantled, such as the curtain walling facade, the steel staircase, railings made of steel mesh, partitions walls made of wood or concrete blocks, and steel trusses for the gymnasium. The latter were bolted together on site from short sections and coated with white fireproof paint. The new skylights resting on them bring plenty of light and air into the hall and allow views of sky. Acoustic panels made from fabric bespoke woven to a brick pattern cover the existing walls. Only the reinforced concrete structure and the lateral walls were retained, the rest of the old building was demolished. Old columns now contrast with new steel components and lightweight timber walls. Caragh Thuring played a key role in devising the colour scheme. She was responsible for the different shades of green on the staircase, which offers an interesting view through the printed bricks to the brickwork of the neighbouring building. The combination of simple exposed building materials and the artistic colour concept help form the quality of the building, as do the plentiful daylight and the visual relationships. From the furthest corner of the gymnasium one can see all the way outdoors. Working on a tight budget 6a architects and Caragh Thuring managed to realise a centre for this neighbourhood, which now engages in social, cultural, and sporting activities in the new workspaces and the sports hall. 

Architecture
6a Architects, Caragh Thuring
Location
Emerald Street 35, London (GB)

  • Paul Van Ostaijen Culture Campus in Leuven

    Lava architecten transformed an old mission building in Leuven into a place where circus arts, music, theatre, and dance coexist under one shared roof. Effective soundproofing is the precondition for the shared use of the facility.

  • The Lost Shtetl Museum in Lithuania

    The Jewish Museum in Šeduva commemorates the culture of Eastern European towns before World War II. With their building, Lahdelma & Mahlamäki Architects from Finland reimagine the small-scale structure of one such village. Its residents were murdered in 1941 by Nazis and their local collaborators.

  • Resembling a bridge, the scaly armour of the UCCA Clay Museum spans across the passageways to the neighbouring buildings. Where this structure touches the ground, Kengo Kuma & Associates arranged shallow water basins.

    Museum of Ceramic Art in Yixing

    The new UCCA Clay Museum advances the millennia-old tradition of artisanal ceramics the Chinese metropolis Yixing is renowned for. An armour of red clay tile encloses the exhibition spaces and the open timber roof constructions above them – an expressive space for the presentation of modern ceramic art.

  • The fly tower of the Glasshouse Theatre consists of textured prefabricated concrete elements, while the ­existing QPAC displays smooth in-situ concrete. The continuity of colouration, however, is clearly visible.

    Glasshouse Theatre in Brisbane

    The Glasshouse Theatre adds a fifth venue to the heritage-listed Queensland Performing Arts Centre. It can be flexibly used for concerts, operas, and dance and theatre performances. The glass facades of the deeply cantilevered foyer visualise the theatrical art of illusion on the exterior.

  • The monastery originally comprised four wings and a cloister. In the south, a squat church with a single nave connects to the complex. The head building with its three apses, a bell tower, and a transept were added in the 13th century.

    Monastery of Santa María of Sijena

    In their restoration of the Monastery of Santa María of Sijena, Pemán y Franco and Sebastián preserve traces of destruction, rebuilding, and decay spanning 800 years. Recently, they remodelled the east and north wings into an exhibition space for the convent’s valuable artworks.

  • The medical facility features a separate entrance in the east. A pergola made of prefabricated concrete elements welcomes the clients.

    Overnight Shelter and Medical Facility in Munich

    Housing for the homeless often consists of stacked contain ers. While the overnight shelter designed by Hild und K utilises prefabrication, thoughtful details adorn the robust building through which the Munich-based office conveys impres sions of warmth and home.