Cultural Buildings

Museums, theatres, libraries and concert halls: project documentation and technical articles on cultural buildings, from room acoustics to materiality.

  • The fly tower of the Glasshouse Theatre consists of textured prefabricated concrete elements, while the ­existing QPAC displays smooth in-situ concrete. The continuity of colouration, however, is clearly visible.

    Glasshouse Theatre in Brisbane

    The Glasshouse Theatre adds a fifth venue to the heritage-listed Queensland Performing Arts Centre. It can be flexibly used for concerts, operas, and dance and theatre performances. The glass facades of the deeply cantilevered foyer visualise the theatrical art of illusion on the exterior.

  • The monastery originally comprised four wings and a cloister. In the south, a squat church with a single nave connects to the complex. The head building with its three apses, a bell tower, and a transept were added in the 13th century.

    Monastery of Santa María of Sijena

    In their restoration of the Monastery of Santa María of Sijena, Pemán y Franco and Sebastián preserve traces of destruction, rebuilding, and decay spanning 800 years. Recently, they remodelled the east and north wings into an exhibition space for the convent’s valuable artworks.


  • Planning process as a total work of art

    The commissioned conversion of a metal workshop in Madrid goes far beyond architecture. With its combination of office space, cultural offerings, and catering, the Daniel and Nina Carasso Foundation is making a - rather ambitious - statement about process culture in the construction industry.

  • The Social Heart of Markelfingen

    From yoga to retro parties: with the Markelfingen multi-purpose hall on Lake Constance, Steimle Architects have designed a meeting place for all generations. Beneath the widely cantilevered coffered ceiling, adaptable spaces have been created using timber construction.

  • Who Has the Final Say, Ms Selldorf?

    Annabelle Selldorf believes that a good detail is efficient, intelligent, and tactilely intelligible. In this interview, the Cologne-born, New York-based architect explains why architecture has a lot to do with listening.

  • Building is Storytelling

    The founder of MAD Architects talks about the Fenix Museum in Rotterdam, the hutong that shaped his childhood, and the limits of AI in design.

  • Micro-Museum of Historic Bridges by Luo Studio

    Originally, only an artistically designed service station was planned along the tourist route in the hilly countryside of southern China. Luo Studio has transformed this into an exhibition building that celebrates the region's historic bridge-building heritage.

  • Spaziu Davia Franceschini in Corsica by A Fabrica Architettura

    For a long time, an undeveloped plot of land lay next to Corbara Church. The new village square with its community centre not only blends in perfectly with the local topography - its retaining walls and facades were also constructed using earth excavated from the building site.

  • Samuel H. Scripps Theater Center by Studio Gang

    In Garrison, New York, Studio Gang has created the first permanent venue for the Hudson Valley Shakespeare theatre company. The Samuel H. Scripps Theater Center is a valuable addition to the entire performing arts scene.

  • Reflected in Friendship

    Jacques Herzog and Pierre de Meuron have shaped contemporary architecture like few others, with an impressive portfolio of nearly 700 distinctive built and unbuilt projects.

  • „You Don't Get That Many Penalty Kicks in a Lifetime."

    Ansgar Schulz supervised the construction of the Mother-of-Pearl Immersive Museum in Adorf, Saxony, from the very beginning. In our interview he describes which challenges the realisation of the hypar shell entailed and why rain played a central role in addressing them.